Peter Gregson is a cellist and composer "working at the forefront of the new music scene" (The New Yorker) Recently, he has premiered works by composers including Tod Machover, Daníel Bjarnason, Gabriel Prokofiev, Max Richter, Jóhann Jóhannsson, Steve Reich, and Sally Beamish; he collaborates with many of the world’s leading technologists, including Microsoft Labs, UnitedVisualArtists, Reactify and the MIT Media Lab.
Peter developed and was commissioned to compose ‘The Listening Machine‘, a data sonification of Twitter in collaboration with Daniel Jones and Britten Sinfonia for the BBC/Arts Council’s “The Space”, where it ran continuously between May-January 2013.
His debut solo album, ‘Terminal’, was commissioned by Bowers & Wilkins and launched in April 2010. A limited edition 10′′ vinyl was commissioned by Mute in May 2011, featuring new solo works for Peter written by Max Richter and Jóhann Jóhannsson and was released at the ‘Short Circuit’ Festival at The Roundhouse. In May 2012, Nonclassical released Gabriel Prokofiev’s ‘Cello Multitracks’, a cello suite written for Peter which the two have toured around the world.
'Lights in the Sky', his second studio album, composed for cello, piano, and analogue synthesisers, was released at Imogen Heap's 'Reverb Festival' in August 2014. His third studio album has been commissioned by Sono Luminus, and will be released in late 2015. Peter is featured soloist on Michael Price's debut album for Erased Tapes, 'Entanglement', which is released in Spring 2015.
In demand for his work across film and television soundtracks, Spitfire Audio developed a sample library of Peter's extended techniques and sounds from his blue, five-string electric cello, all recorded at Pixel, his studio in London.
He recently completed scoring his first feature film, 'A Little Chaos' , directed by Alan Rickman and starring Kate Winslet and Matthias Schoenaerts, which closed the Toronto International Film Festival 2014, and opens internationally in Spring 2015 with Focus Features and Lionsgate.